These Caldecott winners are not resting
Winning a Caldecott Medal is the career pinnacle for a children's-book illustrator. Awarded annually by the American Library Association to the best-illustrated children's book, the Caldecott Medal brings fame and fortune to the winner.
But the artists don't stop creating books after winning the award. To prove the point, here's a look at new books by some Caldecott Medalists:
• Let's just go ahead and say it: Kevin Henkes, who won the 2005 Caldecott Medal for " Kitten's First Full Moon ," is a picture-book genius.
In his newest book, "Little White Rabbit" (Greenwillow, $16.99, ages 2-5), Henkes pays quiet but powerful homage to previous picture-book masters such as Margaret Wise Brown and William Steig as he tells the story of a curious bunny.
Like any young child, the little white rabbit wonders about the world around him. As he hops through tall grass, for example, he wonders what it's like to be green. Wandering through fir trees, the little white rabbit speculates on what it might be like to be tall. And so it goes, until Henkes concludes the book with a statement that shows how much he knows about — and empathizes with — his young readers: "Soon little white rabbit was home. He still wondered about many things, but he didn't wonder who loved him."
Henkes' artwork, done with colored pencil and acrylic paint, conveys the cozy joy of his story. Clearly, readers don't have to understand Henkes' homage to past picture-book masters to enjoy "Little White Rabbit." But readers with some knowledge of classic picture books will marvel at the way Henkes riffs on Brown's "Goodnight Moon" and "The Runaway Bunny . " And anyone familiar with Steig's Caldecott-winning "Sylvester and the Magic Pebble" will get an extra kick out of Henkes' wordless two-page spread showing how the little white rabbit imagines himself as a rock.
• Author/artist Chris Raschka takes a few simple elements — two dogs, a ball and a couple of kids — and creates an unforgettable wordless tale in "A Ball for Daisy" (Schwartz & Wade/Random House, $16.99, ages 3-6).
Raschka, who won the 2006 Caldecott Medal for "The Hello, Goodbye Window , " uses his trademark loose-lined illustration style to tell the story of Daisy, a dog who is enamored of her red ball, to the point that she sleeps with it on her green-striped couch. So Daisy is stunned when she takes the red ball to a park one day and another dog plays too hard with it and it pops.
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Karen White, creator of the website and the rack cards has also created a Facebook page about the tour. Rich Colvin was the featured speaker for the evening reporting to the group the creation of his newest venture, the evolution of the Scioto Inn that
And anyone familiar with Steig's Caldecott-winning "Sylvester and the Magic Pebble" will get an extra kick out of Henkes' wordless two-page spread showing how the little white rabbit imagines himself as a rock. • Author/artist Chris Raschka takes a few

By Karen J. Greenberg In the seven weeks since the killing of Osama bin Laden, pundits and experts of many stripes have concluded that his death represents a marker of genuine significance in the
The 336-page work was released June 14 by Oceanview Publishing. Marco has been making the rounds at Chicago-area book signings and library discussion groups, three of which are scheduled for this weekend in or near the Southland: 1-3 pm Saturday at the
Brigette DePape, 21, walked into the Senate chamber wearing the black bow tie and white gloves that were part of her page uniform with a handmade protest sign — a red stop sign emblazoned with the message “Stop Harper” and a cartoonish exclamation
Review: The Beach Trees by Karen White « Diary of an Eccentric
After a deep breath, she looked up at a tall oak tree beyond the garden, its leaves still green against the early October sky, the limbs now thick with foliage. “Because the water recedes, and the sun comes out, and the trees grow back. Because” — she spread her hands, indicated the garden and the tree and, I imagined, the entire peninsula of Biloxi — “because we’ve learned that great tragedy gives us opportunities for great kindness. It’s like a needed reminder that the human spirit is alive and well despite all evidence to the contrary.” She lowered her hands to her sides. “I figured I wasn’t dead, so I must not be done.” until I turned the last page, I was engrossed in the characters and the setting and had a hard time pulling myself out of the story to get back to the real world. White once again has created a place I’d love to live and characters I’d love to know in real life.
Julie Holt has been floating through life, never really living it, since her younger sister disappeared when Julie was 12. She was supposed to be watching Chelsea, so she carries some guilt and has devoted 17 years of her life to trying to find her sister. When her mother died, Julie continued the search alone, her father and brother long ago pulling back from the family unit. Working at an auction house in New York, Julie found a true friend in Monica Guidry, and when a heart condition leaves Monica dead at the age of 28, Julie finds herself the guardian of Monica’s five-year-old son, Beau, and the owner of a beachfront property in Biloxi, Mississippi. Julie has nowhere to go but Biloxi, where she finds out that the family Monica left behind 10 years ago — her grandmother, Aimee, and her brother, Trey — are living close by in New Orleans. It’s hard not to see the similarities between Julie and Trey, both of whom lost beloved sisters and never stopped looking for them.
If the story wasn’t interesting enough, with Trey and Julie reluctantly working together to rebuild the beach house that was destroyed by Hurricane Katrina and Julie trying to figure out what to do about Beau and her inability to move beyond her childhood, White manages to flawlessly insert a mystery that had me on the edge of my seat. Monica left Julie a painting of her great-grandmother that was painted by Julie’s great-grandfather, and Julie pursues the connection between her family and the Guidrys. Why did Monica leave home in the first place? How and why did the woman in the portrait disappear? In a leisurely Southern style, Aimee tells Julie how she met the Guidry family in the 1950s, was torn between two brothers, and intrigued by their mother, who refused to conform to society’s expectations.
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On Folly Beach
Table of Contents Title Page Copyright Page Dedication Acknowledgements Epigraph CHAPTER 1 ... CONVERSATION WITH KAREN WHITE QUESTIONS FOR DISCUSSION ...Pieces of the Heart
Table of Contents Title Page Copyright Page Dedication Acknowledgements ... 27 CHAPTER 28 PIECES of the HEART A CONVERSATION WITH KAREN WHITE QUESTIONS FOR ...The House on Tradd Street
I saw hands that weren't mine turning the page to a photograph of the house ... But it was Louisa's roses that stood out in the black-and-white photo as I ...The Lost Hours
... Contents Title Page Copyright Page Dedication Acknowledgements CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7 CHAPTER 8 CHAPTER 9 ...Parents Picks, The Activity Book
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